Introducing... Anita Cummins


With Anita Cummins' exhibition Pantone Pom Pom almost at the half way mark now, there's never been a better time to shine the light on the life and work of fabulous lady herself.

We all know that Anita is one of the loveliest staff members here at CVHQ, but did you know that prior to her textile-based artistic practice, Anita worked as a freelance stylist? This totally explains her amazing wardrobe and keen eye!

Anita, who many of you will also know as CVHQ's ever-capable Assistant Retail Manager, is a budding textile artist who is particularly skilled in the art of the pom pom. For her exhibition Pantone Pom Pom (which is on at Mailbox 141 until 22 August), Anita has painstakingly wrapped, wound and trimmed over 700 pom poms in a myriad of colours and tones.

If you haven't already, take a peek at previous entries on Anita which includes photo documentation of Pantone Pom Pom.

Happy Friday everyone, see you at the launch of Craft Cubed tonight (from 6pm!)




About Pantone Pom Pom
I started making pom poms years ago for a university exhibition. I tried to make as many as I could in the university semester, which ended up being about 350. Back then they were all white with a few red ones. Making pom-poms developed into a bit of an obsession, and it became a sort of meditation for me.

Pantone Pom Pom was a natural progression for me. I have always been in awe of artists who use explosions of colour, but never had the guts to do it myself. I had started making pom poms in every colour I could find and then it dawned on me that I could really play with colour by referencing the pantone colour chart in response to the Craft Cubed theme of CITYCOUNTRY. I chose two colour palettes, a really bright, fluoro scale for city, followed by a really earthy, natural scale for country. That is not to say that these particular colours cannot appear in both urban and rural environments, but for the purpose of this project I wanted to celebrate colour gradations. A simplified response to the word city is bright lights and neon, while I think of the words neutral and natural in relation to country.


About the process…
It was pretty hard to find the colours I wanted, in the yarn that I wanted. Different types of yarn produced very different results, so I had to choose my colours according to what was available in the yarn that I like. I wanted to use only natural fibres, but there were some colours such as the fluoro green and orange that you can only get in acrylic fibre, so I did have to make a few exceptions. My Gran thinks it is a shame to waste all that beautiful wool on making pom poms, but wool really does produce the best results. It would also be great to dye my own colours, but I have no experience in dyeing, so perhaps that’s something I need to try in the future.

I would often take my stuff to my mum’s and make pom poms in her lounge room. On a number of occasions her wayward dog Louis stole a pom pom that had rolled onto the floor, snuck under the couch with it and proceeded to ‘kill’ it. It was funny but annoying…

Five years’ ago I was…
I was studying Creative Arts and Arts at The University of Melbourne. I drank a lot of coffee, smoked a lot of cigarettes and wrote some very unworthy essays. I dabbled in all of the creative arts, my favourites being life drawing and photography, mainly because of my lecturer Barb. I majored in Italian, which was by far my worst subject but I scraped through and even ended up living in Italy for a semester. I saved up my pennies and travelled in South East Asia over summer.

…and in five years’ time I hope to be…
I don’t like to think too far into the future. I am not a career-focused person. I just want to keep doing things that I love and be open to any opportunities that may arise as a result of that.


A selection of Anita's scarves available at COUNTER

About making the move from being a stylist to textiles as an artistic practice…
I love fashion and photography, so styling seemed perfect for me. I should have known that nothing is as it seems. I really enjoyed working with all these creative people who were beginning to forge their careers as photographers and make-up artists and models, but a lot of these jobs were unpaid. The jobs that paid well were really boring, less about being creative and much more about being super-organized and getting everything done as fast as possible. I also stopped getting excited about putting outfits together, which is a bit of a disaster if you want to be a stylist. So I stopped.

Now I have time to say yes to opportunities that arise and put my own artistic practice as a priority. I get so much enjoyment from ‘creating’ and since making the decision to focus on my own stuff everything is just falling into place. And I am starting to get excited about fashion again…


My dream collaboration would involve…
I think Yoko Ono is a brilliant artist. I saw one of her exhibitions in Barcelona about 5 years ago and I have never forgotten it. The gallery was massive with about twenty rooms and in each room was an instruction. She orchestrated it so that her audience was a vital ingredient in the creation of the work. It gave even the most unlikely candidate a chance at being creative. She is so whimsical and particularly generous with her audience – allowing them to participate in her artworks. I think I would find it really hard to give over control to someone else but I would love to learn from someone like Yoko.

Having said that, I don’t really think about collaborating. It’s something that just seems to happen when two artists are inspired by each other and living in the same city.

I’m really looking forward to…
The Victorian Tapestry Workshop has asked me to share my love of the humble pom pom with others by giving classes. It is something anyone can do for not much money.

Tune in to SYN FM on Sunday for their Arts Mitten program from 3 to 4pm to hear Anita and Joe Pascoe (CVHQ Chief) talk about Craft Cubed and the exhibitions involved! Exciting stuff. We can't wait!

I MAKE STUFF: the beta edition by Handmade Life

Image pinched from the HML blog - thank you!




CVHQ's nearest and dearest, the lovely Handmade Life, are launching a book! How very exciting indeed.

Entitled I MAKE STUFF: the beta edition, the ladies behind HML (Ramona Barry and Beck Jobson) are serious makers. Aside from being the makers of Words and Pictures and Peeps respectively, they've just made some babies and still managed to make time to make I MAKE STUFF. Phew! That's a lot of making!

Feauturing 25 makers from Australia and overseas, I MAKE STUFF asks the crème de la crème of the craft scene the big question, "Why do you make stuff?"

Expect to gain a glimpse into the lives and artistic practice of some of the world's best ceramicists, jewellers, painters, graffiti artists, toymakers, musicians, textile designers, sculptors, bootmakers, and illustrators as they speak about their craft.

To be officially launched at this Friday's bonanza Craft Cubed opening (which also features a special performance by Melbourne darlings Snawklor), I MAKE STUFF: the beta edition is currently available for purchase from here and it will most definitely be available at COUNTER very, very soon. In the meantime, keep checking the HML blog for updates.

By the way, if you haven't yet RSVP-ed to attend the launch on Friday, you better hop to it by emailing rsvp@craftvic.asn.au your name and how many there'll be in your entourage.

Fully Furnished

A selection of designers have made work responding to the notion of interior and domestic space. Drawing from the methodologies of both design and the handmade, the exhibition showcases work by some of Australia's most eminent emerging and established designers: Tim Fleming, Erik North , Studio Hip (Damien Hipwell and Jacqueline Cuijpers) and Studio Sam (Samantha Parsons). The installation will explore the strategy of 'sampling' as both a basis for design and a new critique of the interior.
Acorns by Tim Fleming of Flatland OK

Fully Furnished was part of the 2009 State of Design Festival’s public and cultural program, Design for Everyone.


Sleep out by CVHQ's installation genius Erik North

Siena bookblock table by Studio Sam, acorn by Tim Fleming
L-R: Tim Fleming acorns, table by Studio Sam, chair and light by Studio Hip

Introducing... Prudence Rees-Lee

This week, CLOG is proud to present an interview with Prudence Rees-Lee, the brains behind cult favourite PHILOS-o-FACE and more recently, Prudence & Horatio and even more recently, PHILOS-o-FACE: The Director's Cut, a special collaboration between Prue and the Melbourne International Film Festival (MIFF). Big things are brewing for Prue and they can only get bigger!


To quote Prue, "Put your thinking face on" and read away. Happy Friday!



How did the idea for PHILOS-o-FACE develop and evolve? Was it a lightning bolt moment of inspiration, or was it something that you’ve been mulling over for a while?
I suppose it was more lightning bolt. I’d been fiddling around with resin and made a couple of brooches of my own face, they looked kind of creepy and weird, but really unique. I tried to think of a group of people who’s faces I could make who would look equally stoic and then then the name PHILOS-o-FACE and the idea of making philosophers (who let’s face it, are generally not a particularly pretty, or even recognisable lot) hit me.

The idea grew on me, because I realized that it could actually synthesize a lot of the things I wanted to do both creatively and professionally. There’s the oblivious craft side of things, but I’ve also used PHILOS-o-FACE to create site specific media installations and window displays, I’ve had to do some extra research about each philosopher, so I’ve actually been able to pursue the areas of interest from my arts degree. I’ve got plans about how the other branches of PHILOS-o-FACE can kind of develop, the one I’m really passionate about is creating a resource about philosophy and theory, something in between those awful comic book style idiot guides and dense academic papers.

How have things for you changed since launching PHILOS-o-FACE?
Things have changed quite a lot, especially recently. I’ve quit the day job to pursue this full time, so now my life kind of revolves around all the things you would expect to be involved in running a label. I spend a part of everyday in the studio, and the rest taking orders with shops, organizing commissions, meeting with designers and copy writers who are doing things for PHILOS-o-FACE, having long coffees at various Jerome’s establishments and longer vodkas at Hells Kitchen!

I can also do things like take an afternoon to go read magazines and count it as work. As I’m looking at putting together a publication I’m starting to hang out in book shops looking at book and magazine design, what kinds of paper I like, layouts and that kind of thing, it’s pretty rad!

Apart from PHILOS-o-FACE, what other exciting projects/things are you working on at the moment?
Well, now that everything has been done for the Director’s Cut series I’ll be focusing a bit more on tightening up Prudence and Horatio. Also, within PHILOS-o-FACE there are a number of things I’ll be working on over the next few months apart from the actual brooches. I’ll be developing a website with CC&Co, as well as gathering writers together for the publication, so the business will have a slightly different focus.

I’ve got a few other things which will be coming out this summer, but I’m afraid that at the moment it’s all top secret!


Prudence & Horatio was the next line you launched after PHILOS-o-FACE, could you please tell us a bit more about it?
I actually started making bird brooches before I started PHILOS-o-FACE, but didn’t release them till recently. I’d bought a whole stack of trading cards with old images of Australian birds on them. I really liked the idea of using Australian images, because I love nature and we really have the most amazing flora and fauna, so it’s a way of celebrating Australiana without doing something douchey like draping a flag over yourself at a music festival or getting an obnoxious tat of the southern cross of your chest.

As far as the name goes, well, I’m Prudence and, Horatio was my amazing dog I had as a teenager! He died quite a while ago but I still have lots of dreams about him and I loved him very much.


Who is your all-time favourite philosopher or director and why…
That is really difficult without going into a long discussion! The short answer would be that I like the existentialists and find Sartre in particular very seductive. I find the idea that we are completely free to create out lives very liberating, despite the inherent responsibility of this freedom. Also, he really lived by his convictions which I admire. If anyone is interested in the long answer I think they should probably email me!

As far as director, my opinion is probably a bit skewed right now as I’ve been staring at the all non stop for about the past month, but I’ll go with Jim Jarmusch (whose hotness is pictured below), because he’s a babe.



What was your first job?
My first job was spinning fairy floss at Chadstone shopping centre. I quite liked it, but would always fantasise how great my life would be if I got to be the girl who worked for the Pancake Parlour and dressed up as Alice from Alice in Wonderland, handing discount flyers out. My mum would come in and take my photo and I would scowl at her, so we’ve got all these photos of me covered in fairy floss looking very unhappy.

Editor's note (from yours truly, Kim): My first job was handing out flyers for Pancake Parlour on Bourke Street and I didn't get to wear an Alice outfit. I did get to wear an amazing t-shirt screenprinted with an image of a chimpanzee eating a tall stack of pancakes with the words "Any time is pancake time" next to it. Those were the days...

…and your dream job?
Hmmmm, this one is pretty good… too cheesy?

One thing you can’t live without?
I guess I could say love, or friends or family or something like that, but I’m going to go with my iphone, or cups. Life would be pretty difficult if there were no cups.



And finally, what are you really looking forward to in the near future?
Hitting the road. I recently got a car so I’m looking forward to going to a long solo drive up the coast and going skinny dipping somewhere warm and secluded.


Countdown to Craft Cubed...

With only TEN days left till the launch of our inaugural festival Craft Cubed, we're all just a bundle of nerves and excitement here at CVHQ!



Craft Cubed as appeared in 'Winter Hot Spots 09'



Divided into three components, White Box, professional members' exhibition Perspective and a series of excellent public programs and satellite events, Craft Cubed is all set to take over your August calendar. We'll be launching this exciting new cultural program on Friday 31 July from 6-8pm right here at Craft Victoria. RSVPs are essential for this event, and if you'd like to attend, please send an email to rsvp@craftvic.asn.au to confirm your spot!





Anita Cummins' exhibition Pantone Pom Pom has already kicked off ahead of the official launch night, and we've still got a ton of exciting events to keep both your eyes and imagination busy... here's a snapshot at what's in store.



Dylan Martorell and Sunday Morning Designs


In Gallery 3 say hello to artist Dylan Martorell and accessories label Sunday Morning Designs (27 July - 22 August) and clothing designer Ellie Mücke and metalsmith John Hall (24 August - 12 September) as I'll Show You My Craft If You Show Me Yours returns to Craft Victoria. The event brings together two artists from seemingly disparate mediums and combines their collective skill and talent to create something wonderful and fresh. Think Captain Planet but with a craft twist and featuring only two people...




Bio-Accessories


Also keeping us on the edge of our seats with anticipation is Ben Landau and Brittany Veitch's satellite exhibition Bio Accessories, which takes place at the City Library niches. Running from 2 - 30 August, the exhibition addresses the festival theme CITYCOUNTRY and is a witty exercise in how to bring a bit of the country into the city.


We definitely haven't forgotten how well received last years' open studios program was, and this year we've added a few more locations to the roster. You are cordially invited to admire, snoop, covet and possibly even touch (if you're lucky) work from studios at the Abbotsford Convent, Boyd School Studios, Castlemaine Studios, Ceramics Studio (Gasworks Arts Park), The Nicholas Building, Pieces of Eight and Plant Craft Cottage.


Nicholas Jones


Craft Cubed branches out into the literary world with a very special Craft Hatch market. In association with the Melbourne Writers Festival, we are very proud (especially yours truly) to present Craft Hatch @ MWF: Where Stories Meet Craft, a boutique market that consists of literary-themed work from only the best emerging and established talent. Spread over Sunday 23 and 30 August and located at the Atrium in Federation Square, expect to see book surgeon Nicholas Jones, current Fully Furnished exhibitors Studio Sam and Studio Hip, paper artist Brydie Dyson, letterpress maestro Meaghan Barbuto of Vince Letterpress and cheeky accessories designer Lisa Kearns of Kearnsie plus many, many more...


Gemma Patford



This of course is in addition to our usual Craft Hatch market, to be held on Saturday 8 August at the City Library. Themed CITYCOUNTRY, it's the first time we've themed a market and we're really excited about the calibre of entries received. There's plenty in store for everyone including some fabulous plush hamburger cushions by Gemma Patford (pictured above), illustrations by Cat MacInnes, fine jewellery by RMIT Gold & Silversmithing final year students, cityscape rings by Alexandra Bletsas (pictured below) plus more.


Alexandra Bletsas


There is much, much more in store as part of Craft Cubed, and to learn more, why not follow this link through to the comprehensive program guide.


Looking forward to seeing you at the launch next Friday, don't forget to RSVP!

New Craft made in Victoria


Most of you may have already heard of our fabulous new initiative, New Craft Made in Victoria. Helmed by our ever capable Business Development Manager Pip Carroll (of design agency Ambiguous Horse), New Craft is a Craft Victoria project engineered to matchmake craft practitioners with commercial institutions and businesses that don't usually engage in craft.

A recent successful partnership was between the Australian Chamber Orchestra and Belinda Hellier of Blink Design. Belinda was commissioned to produce 100 merino wool scarves that reflected the aesthetic of the ACO. What resulted was a beautiful black wool scarf screenprinted with a score by Schoenberg - who is Belinda's favourite composers!


To keep it within the family, this opportunity is available to Craft Victoria members only. Interested parties are encouraged to attend the monthly New Craft meetings chaired by Pip where you can learn more about the project and upcoming opportunities. The next meeting will be on Monday 8 August from 6-7pm. This event is free for members, and costs $10 for non-members. Please give us a call on 9650 7775 to book yourself in!

To learn more about the project, click here and to learn about current commercial briefs, click here.

Pom poms fit for the Pompidou*


Following on from the last post we did of the installation of Anita Cummins' exhibition Pantone Pom Pom, here are some shots of the finished exhibition as well as some happy snaps from the opening night.






Pantone Pom Pom consists of two colour palettes: an exuberantly bright one and a more sombre, tonal palette. The changeover to the muted palette will take place from 1 August onwards, with the exhibition coming to a close on 22 August.

Click here to view more images of Anita's exhibition.


*Today's pun-tastic title is courtesy of CVHQ's official photographer Alexia Skok. Thanks Alexia! Skilled and funny! What a package.

Introducing... Christiane Poulos of La Petite Poulette

This week, CLOG is proud to introduce to you Christiane Poulos of leather bag label La Petite Poulette. Christiane frequently participated in Craft Hatch during its early stages and has since gone on to stock at COUNTER, the Craft Victoria shop. It pleases us to no end when this happens, it's a bit like graduating isn't it!

Based in Melbourne, Christiane crafts her bags from her bedroom studio under the label La Petite Poulette. Using a variety of different natural and dyed sheep, cow, calf leathers (all of which are ridiculously wonderful to touch might we add), the real gem is perhaps the pop of colour that comes from the lining fabric. With quite a selection on hand, the hard decision would be deciding which lining is your favourite!

Without further ado, read away. Happy Friday everyone.




In the beginning…
It all began as a hobby. I’ve always been one of those people who go out shopping for particular things and then think “I could just make that”. So when I needed a new leather bag I decided to just make one myself. Then I started making bags for my friends, and then for my friends’ friends and it all took off from there.

I’ve been sewing since I was 10 years old, and after school I studied fashion and costume, but once I’d finished my studies I couldn’t work out what I wanted to do with myself. I’d always wanted to make a career out of doing something creative, so when the bag idea randomly became a business possibility I couldn’t help but give it a go.

It’s all in the name…
This will probably sound a little bit cryptic. La Petite Poulette means The Little Chick in French. One of my nicknames at school was Poulet (chicken), courtesy of my surname, and I’m the youngest in my family. My mother is French so it’s a bit of a shout-out to her, too.



About working with leather…
Working with leather has been both challenging and rewarding. It’s an unforgiving but very versatile material to work with. Having had no formal training in working with leather I’ve had to work out a lot of things along the way, like the magic of glue and the importance of eliminating thickness wherever possible. I started out sewing with softer sheep leather on my old domestic machine, and I had many broken needles and much heartache. I now work with an industrial lockstitch machine, and although I’m still breaking needles every once and a while, it has become a whole lot easier.

I have a tendency to work with the leather in the same way I would fabric, and this has been one of my on-going challenges. Being self-taught in leather craft I was always going to depend heavily on my fashion training when making patterns and constructing bags, but with time I’ve learnt that leather can actually be treated in a much less complicated manner than fabric. I have learnt of the wonders of leather adhesives and rawhide mallets, I now revel in unfinished edges, and I am gradually learning to lay-off on the top-stitching.

What gets me in the mood to make…
I’m a real thinker when it comes to my work, so a chat with a friend about my ideas helps to put me in a doer frame of mind. I can’t bear the thought of working in silence, so there’s always going to be music involved in getting creative too. I owe my current flurry of creative activity to Betty Davis and Nina Simone. And deadlines! They really help.

And when it comes to overcoming creative obstacles…
Working from home is most definitely my biggest creative obstacle. There are way too many distractions. I’ve found getting started the minute I’m up and at ‘em helps to keep me focused on what I have to get done each day. And leaving my laptop turned off also helps. I’m hoping to get myself a nice little studio space the minute I get the chance. Also, being a one-woman-show has its difficulties. I still work a few days a week at my other job so when I’m home I often feel overwhelmed by all the things I need to do to run my business, whether it is making the bags, working on marketing or bookkeeping. Sometimes I just have to drop everything, refocus, and decide what is most pressing, but with time I am learning the art of time management.

My proudest achievement to date…
Appearing in Frank Bits in the July/August 09 issue of Frankie Magazine has been really amazing. Stocking to COUNTER and seeing bags sell has also got me feeling pretty darn proud.

Another craft skill I’d love to learn is…
I love to knit, but have never come to grips with knitting patterns, so I’d love to learn how to knit something more exciting than a scarf one of these days. I’d also love to learn quilting, bead appliqué, book-binding, weaving, screen printing… I’ll stop there.

If I could do anything in the world tomorrow, I would…
This is a hard one, as I’d really like to think of something insightful and socially/politically/environmentally thought provoking. However, my overworked and sleep-deprived brain keeps crying out for just one simple thing: a long and guilt-free sleep-in.

Craft Hatch in July: how it all went

A big thank you to all who participated and visited the Craft Hatch market the City Library on Saturday. The weather could have been better, but we're glad it didn't sway some when it came to popping by!

It was great to see so many fresh faces behind the tables at Craft Hatch including final year students from NMIT's Product Design course, Rebecca Wadge and Kate Brereton & Charlotte Tizzard. Also in the mix were familiar faces Deirdre Hoban & Jasmine Targett (who will be part of this Sunday's This is not a Design Market - see you there!), Myf Kemp, Kim McGeachin, Lisa Engelhardt, Box Hill TAFE and Charisse Black.


For those who weren't able to make it (and we're sure there must be an excellent reason behind this...), here are some images to show you what you missed out on.

Fontok by Myf Kemp

Orchis Morio by Lisa Engelhardt


Moose and Me by Kim McGeachin


Hamish and Betty by Kate Brereton
Cserpernt Art by Charlotte Tizzard
Deirdre Hoban & Jasmine Targett


Jasmine Targett

Deirdre Hoban

NMIT Product Design

Rebecca Wadge

Does Not Equal by Charisse Black



Box Hill TAFE

The next Craft Hatch market will be super special curated edition to coincide with our inaugural festival Craft Cubed. Featuring 9 very talented makers, the market will take place at the City Library on Saturday 8 August. Stay tuned for more teasers...

In other news, August will be a big month for Craft Hatch. We have partnered with the Melbourne Writers Festival to present to very special markets entitled Craft Hatch @ Melbourne Writers Festival: Where Stories Meet Craft. The market will take place on Sunday 23 and 30 August at the Atrium in Federation Square. Expect a boutique market filled with only the best established and emerging artists including Nicholas Jones, Studio Sam and Vince Letterpress stationery by Meaghan Barbuto.
More details to come soon!



A very big thank you to Richard Brockett taking the time to take photos of the market. Thanks Dad!

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