A Field Guide To Hyperbolic Space

"Crochet Coral and Anemone Garden" with sea slug by Marianne Midelburg.Photos © The IFF by Alyssa Gorelick.

Friends of mine recently put an exhibition on of a crocheted coral reef in the Sydney powerhouse museum. Its a project originated by two Australian Sisters living in the US, Margaret and Christine Wertheim. Their coral forms were based on the technique of hyperbolic crochet discovered by mathematician Dr. Daina Taimina. These hyperbolic forms are present everywhere in nature including in reef organisms but were difficult to model until Taimina hit upon the idea of using crochet.

"Each crochet model results from the application of an iterative recipe. Like fractals, such as the Mandelbrot Set, these forms come into being through the process of doing a small set of steps again and again and again. Though experience often serves as a guide, there is no way to know in advance what a specific algorithm will produce and we have many times been surprised when seemingly insignificant changes in the underlying pattern led to fundamentally new results. In a very real sense, this is a kind of experimental mathematics and we invite crocheters everywhere to explore for themselves the possibilities inherent in these techniques."

From
The Institute for Figuring (IFF) website.

The Institute for Figuring which is the organisation formed by the sisters has a site with crochet instructions, pictures and maths you can also see one of the reef's creators talking at this year's TED conference here.



Further investigations would require a look at the work of Ernst Haekel turn of the century biologist and illustrator.

Fringe Furniture 2009

Recently, CVHQ ladies Beck Jobson and Nella Themelios were invited to judge Fringe Furniture 2009. The theme of this year's event was 'Silver' and participants were invited to enter work that reflected the characteristics of the material:

As the world around us is engulfed in a light shade of grey, Fringe Furniture 2009 is set to radiate a lustrous shining light of optimism. This year's theme, SILVER, encouraged designers to explore the visual, physical and symbolic properties of this bright metallic. The Arts House, Meat Market will host this dazzling melting pot of new ideas, integrating the iconic Fringe Furniture exhibition into the very heart of the festival.

We don't doubt for a minute what hard work it must have been... taking a few hours off work to wander around covetable objects and picking out the best. It's a tough life being a Fringe judge!



With around 80 entries to select from, it is with great pleasure that we announce Marcus O'Reilly as the very deserving winner of Fringe Furniture 2009! Marcus' golden effort Flotsam and Jetsam (pictured above) is a table constructed from various found materials, for example bits of wood gathered from beaches. As Marcus describes:

"Silver is for second prize, the materials used are all scrounged materials, being used second time round. And, as they are used more or less as found they are as tarnished as silver."


Congratulations Marcus! As part of his prize, Marcus will be exhibiting at enCOUNTER sometime in 2010.


Also highly commended was Toby Horrocks' ingenious folded cardboard creation, Mountain Display Table (pictured above) and Gordon Tait's Brilliant made from corten steel with a rust finish (pictured below).

Don't be fooled by the rock that she's got, she's still Nella from CVHQ

Natalia Milosz-Piekarska


During the fabulous Nicholas Building open studios event, a group of us from CVHQ trotted down to poke around the studios, many of whom are COUNTER stockists. We popped by the amazing Natalia Milosz-Piekarska's studio (which she shares with Karla Way) and there was much ooh-ing and ahh-ing at Natalia's amazing design aesthetic. It's out of this world!



Natalia recently dropped off some great earrings the other day (pictured below). The studs with the gold dots have been snapped up already... but the rest are still here and waiting to be taken back to a good home!



The image above is from Natalia's blog, the very aptly-named 'ahhness', which you should totally check out for more images and info. It'll give you something to save up for till next payday...

The Breakfast Club


In this second instalment of enCOUNTER display The Breakfast Club, first and second year students from Box Hill TAFE's ceramics course have presented a body of work that responds to the ritual of eating breakfast.


The program was initiated in 2008 (click here to see photos from last year's exhibition) and this year's artists are Sharon Alpren, Kate Jones, Robyn Jorgensen, Tracy Muirhead, Mirta Ouro, Tara Shackell and Nola Smith. You might recognise a couple of names - Robyn and Mirta exhibited at the 2008 Breakfast Club show.

If you're hoping to pick up work by these seriously talented emerging ceramicists, you better be fast (get it? be fast, break fast, haha! groan.) and act now - some collections have already been snapped up.


Sharon Alpern


Robyn Jorgensen

Nola Smith

Mirta Ouro

Kate Jones

Tara Shackell

Tracy Muirhead


The Breakfast Club is on until 4 October.

ADSR SHOTS!!!!!!!!





Nathan here again with a few notes about my current show and some shots.

The show is called ADSR or Attack, Decay, Sustain, Release after the four factors used in sound sythesis to control the amplitude envelope (the shape of a sounds volume).

This set of works coincides with my recent interest in synthesisers and the modular way they make sounds from a singular set of processes. As well an increasing interest in/knowledge of materials and processes used to modify them.

The show features an installation which is designed to be episodic with each of the pieces on the grey planes utilising the same set of basic materials but developing in different ways then efervessing upwards into tangles lines of wires and strings which loosely interlink them thoughout the space. The works are spread out on roughly stacked plinths integrating in to the gallery yet skinning over it.

The sculptural works were designed at the same time as a sound piece which will be presented in four channel and which also moves episodically from bass tones which progress through a series of filters and to form the higher tones. The piece moves between the raw synthesized piece and a version of the piece recorded in the space contrasting the spatial changes between a piece in conception and a piece in a location. A sample can be downloaded here

All these works are primarily responses to materials and experiments with them but form a set of works which though abstract will hopefully resonate with viewers imaginations in different and personal ways so I have asked several writers to provide short responses to the works in order to sample and compare these resonances


Attack Decay Sustain Release by Nathan Gray
17th of September from 17th of October
Craft Victoria
31 Flinders Lane Melbourne 3000

catalogue essays by Francis Plagne, Jared Davis, James Deutsher, Simon Taylor and Helen Johnson download here or free at the show

ps heaps more pictures at my site www.undodesign.com

kit lee

Hi there Nathan Gray here. I'll be doing some guest posts here for the next few weeks that will sidestep the art/craft question/problem and simply highlight some very intelligent making. Anyway pics and an update of my show coming soon but for now....

Fabric as Document



Kit Lee has some lovely pieces in the current Y3k show "Hatred of Kappagizm"curated by James Deutsher and Christopher L G Hill.

Lee's pieces are hand painted cloths that are exhibited after use as tea towels and picnic blankets, with one even covering the beer table at the show's opening. Its a simple reflection on the life of the product after it is no longer new. For capitalism an object often dies at the point at which it is sold, becoming monetarily worthless, but the worth of an object for the buyer is its usefulness. These pieces are lovingly handmade and when used, document that use in stains and marks which add to rather than subtract value. By soaking up the residue of everyday living they become recordings of domesticity, and by being handmade objects for such lowly and messy tasks they become offerings to that domesticity.

HATRED OF KAPPAGIZM curated by James Deutsher and Christopher L G Hill

RUNNING 19 SEPT-10 OCT 12-6PM THURS-SAT
205 Young St.

Fitzroy, Melbourne, Australia, 306
OPEN 12-6PM THURS-SAT
www.lee-kit.com
http://y3kexhibitions.blogspot.com/


Craft Hatch: The Graduate Edition


A couple of weeks ago a very special edition of Craft Hatch took place. Consisting only of graduating students from institutions across Melbourne, the market was organised to assist in fundraising for these students' end-of-year exhibitions. A worthy cause indeed!

7 groups took part from RMIT, Monash, NMIT and Box Hill TAFE and there was a plethora of work on display. Ranging from handprinted t-shirts, to ceramic egg-shaped vessels that fit into each other babushka-style, to elastic chain accessories, there was something for everyone (and we're not just saying that for the sake of it!)

Don't forget to continue supporting these fabulous students by visiting their end-of-year exhibitions later this year. Details to follow. In the meantime, do pop by RMIT Ceramics auction and sale to take place on Tuesday 6 October at RMIT's Ceramics studio (Building 4, Level 1 Basement, Bowen Street off Latrobe Street, Melbourne). Viewing commences at 5pm, and the auction starts at 6.30pm.

RMIT students from the Bachelor of Arts (textile designs) course


RMIT Ceramics





RMIT Diploma of Screenprint Design & Diploma of Studio Textiles


Box Hill TAFE and their amazing display stand constructed from chopsticks.



NMIT Product Design (who graced Craft Hatch with their presence in July)

The NMIT kids a.k.a. Connect 7 also have a blog, which you should definitely check out. They did a post about Craft Hatch - awesome! Thanks guys!

Jill Hermans and Femi Coppi from Monash's metals/jewellery course


Jill Hermans

Stunning jewellery from RMIT Gold & Silversmithing course. This group will be at the next market in October, so make sure you come by as different makers will have their work on display.

The next market will take place on Saturday 10 October. Registrations to participate in the November and December markets are also open, but do hurry - the deadline is 15 October.

Thank you


Nathan Gray thanks you!

For turning up to his opening on Thursday evening.


We'd also like to extend a big thank you to everyone who made it down to the gallery last Thursday evening in spite of the frightful weather. We'll have images up on the blog and Facebook soon!

In the meantime, do check out Nathan's blog.

John and Ellie's window (better late than never!)



In case you missed it, here are a few images from John Hall and Ellie Mucke's enCOUNTER display that came down a week or so ago. The window was complementary to their exhibition/installation in Gallery 3 for I'll Show You My Craft If You Show Me Yours (part of the Craft Cubed festival program).



Currently in the window is ceramic work by Box Hill TAFE students. Photos to follow soon!

Introducing... Nadine Treister

This week, CLOG's featured artist is jeweller Nadine Treister. Despite taking on Interior Design as her field of study, Nadine decided to embark on a career as a jeweller - and a real good one too! Featuring architectural lines and a geometrical cleanness, Nadine's jewellery label Jeu de Tree is a collection of lovely items we wish we had in our jewellery boxes.

This edition of Introducing... is also our 50th. Hooray for us!

Happy Friday everyone, we hope you are enjoying the beautiful sunshine outside.


About my decision to explore jewellery design...
There is a close translation between architectural model making and designing jewellery; they both adhere to a language of volume, proportion, line and aesthetic. Funnily enough, I started making jewellery whilst completing my Honours year. I think it was more out of procrastination than anything else.

It's all in a name...
Jeu De Tree translates roughly from French into Tree’s playtime. My mother came up with it during a family brainstorming evening. The meaning is twofold. I was nicknamed ‘Tree’ in middle school and somehow it suited and never wore off. The Jeu or playtime is essential in my eyes to my jewellery practice; it is part of my creative process, time taken to experiment

My influences…
These days I turn to a conglomeration of collected blogs for inspiration; sometimes it becomes sensory overload but without a doubt there are designs and creative outputs to dilate my pupils.


About my studio...
Having a studio space in the Nicholas building (with fellow COUNTER stockists Emma Grace and Jasmina Krupic) is an absolute treat; fantastic location, historic building housing fellow creative thinkers and makers. There are six female artisans sharing our large space but we all have various daily schedules which means that it’s a rare occurrence that we are all in the studio at the same time. We most definitely share ideas, give feedback and advice and encourage one another in our individual practices; this is inspiration in itself.

Apart from jewellery, another skill that I'd love to learn...
My list is definitely too long.

A day in my life…
My days fluctuate depending on deadlines and stock orders. Of late, however, I seem to be juggling a career as an interior designer, jeweller and university teacher; the diversity of skills and environments makes for an interesting life.

One thing I can’t live without…

A sense of humour and the basket attached to my bike (recently stolen).






Getting ready...


The other day Nella paid a visit to Nathan Gray's studio to say hello, have a peep at the space and generally make sure he's actually working towards his solo exhibition which opens this Thursday evening. He's enlisted CV lady Anita's nimble fingers to give him a hand with some of the installation's fiddly bits and it's looking to be an extragant affair!



In the meantime, check out Nathan's blog for more images and text.

So fast!


We're quite excited for this show and we're really looking forward to seeing what Nathan does with the three galleries. It'll be soooo juicy!

Festival round-up



Like all good things, our flagship project Craft Cubed came to end on Saturday. We hope you managed to get to some of the many programs and events that happened as part of the festival - there certainly was a lot!

To view more blog posts on the festival, click here.

A big thank you to all who participated and helped us in any way at all, we couldn't have done it without you!

Introducing... Pip Keane

This week meet one of COUNTER's most prolific jewellers, Pip Keane. After completing her Visual Arts degree at the Canberra School of Art, where she majored in Silversmithing, Pip moved around Australia before finally settling in Melbourne where she has been based for the past few years.

In between balancing her artistic practice between commercial and exhibition pursuits and managing her eponymous shop in Prahran, Pip is also a mother! Amazing! And doing all of this is clearly makes for many a busy day as you will read below...

Pip's signature touch for her jewellery line is a deceivingly simple design detail - for example a toggle that adjusts the length of necklaces to suit your mood, to a lariat construction that has confuzzled certain staff members with its interlocking design (once it was figured out how to wear the necklace there was much slapping of the forehead and mutterings of "...but of course!")

Without further ado, happy reading and happy Friday everyone!


Tell us a bit about how your interest and jewellery was fostered… Was it something that caught your imagination when you were young, or is something that you fell into serendipitously?
I was lucky enough that the school that I went to had after school jewellery classes. I really enjoyed making jewellery and I did a major work that counted towards my HSC. From there, I studied visual arts, majoring in Silversmithing, at the Australian National University's art school. The course was very practical and I learned Silversmithing techniques that I still apply today to making jewellery.

Looking at your artist profile, you’ve moved around Australia quite a bit! What prompted the move from Canberra to Sydney, and subsequently from Sydney to Melbourne?
I was originally from Sydney, went to the Art School in Canberra then returned to Sydney where my family live. In Sydney, I set up a shared workshop, where I worked for ten years. Three years ago, I moved here to Melbourne when my husband got a job here.


To date, you’ve been commissioned to make some absolutely stunning jewellery. What has been the most exciting commission to work on?
I have recently made a couple of engagement rings where I have been given free reign to create something a bit different. Turning a design in my head into a finished piece is very rewarding and I feel honoured making a piece that will represent such a special occasion for the client.

Tea strainer

Apart from jewellery you also make hollowware specifically for exhibitions or commissions, would you ever plan on creating these works on a production level?
I did a Silversmithing degree at Canberra and really love designing and making hollowware, however each piece does take a considerable time to make and design, which makes them quite expensive, and difficult to justify from a business perspective. I still make these pieces but mainly for exhibitions.


About my shop on Izett Street in Prahran (pictured above)…
I opened the shop in Prahran after moving from Sydney to Melbourne. I felt that it was a logical step after working in a shared studio for ten years and was a good opportunity as I needed to re-establish myself in Melbourne. The move to Melbourne was a challenge, looking for a new home in a new city, trying to find new suppliers, customers, and opening a shop. Learning to delegate and share the workload in the shop after working alone was a big challenge for me. Meeting more customers face to face in the shop has been the biggest breakthrough, I love the instant feedback and I get to make more one-off special pieces. The biggest challenge has been the past year as I have had a baby and it hard juggling work and baby.

A day in the life of Pip Keane…
5am Wake up to feed Elise (our 14 month old baby) then back to sleep until 6am (sometimes, if I’m lucky) 6am Organise Elise and get ready for work. 9.30am Drop Elise off at day care. 9.45am Get to work, work like crazy returning calls, meeting clients, making jewellery until 3pm. (I even have cups of tea at the bench) 3pm Pick up Elise and spend some time with her before her bedtime at 6.30pm. Evening I do emails and paper work and designing then fall into bed by 9pm ready to do it all again the next day.

This sounds very busy, but I like being busy.

On the weekends, Monday and Friday I spend as much time with Elise and my husband as I can. I would kill for an occasional sleep-in! Although I'm only in the shop Tuesday to Thursday, the shop is open from Tuesday to Saturday.

Pip's new range - earrings

When I was younger, when I grew up I wanted to be…
A chef or a flight attendant, I thought travelling the world with my job would be fun.

My dream collaboration would involve…
I would love to do a series of hollowware and jewellery with a friend of mine that I did work experience with before I went to university. He inspired me and every time I see him and his work, he makes me glad that I became a jeweller and followed my dreams.



More from Pip's new range - necklace and bangle (pictured below)

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