Introducing... Emma Shirgwin of Emma the Shoemaker


Having recently exhibited at Craft Victoria as part of Shoe Show and taking part at the recent Craft Hatch market at the State Library of Victoria, Emma Shirgwin has been a Craft Victoria darling of late. Emma is based from her East Brunswick studio (which she shares with fellow Shoe Show exhibitor Phong Chi Lai and COUNTER stockist Sarah Russell of Scottato), and her label 'Emma the Shoemaker' has been in place for nearly three years now - something that is no small feat at all!

For today's post, here's a peek into Emma's working space. Why not treat your feet good in 2010... and if you'd like to be custom-fitted for a pair of bespoke summer sandals, or perhaps get ready for the winter chill with a pair of lace-up leather booties, do get in touch with Emma to make an appointment for a studio visit. She'd be more than happy to measure you up!

Merry Christmas and Happy Boxing Day everyone! Make sure you get those elbows out when you hit the sales today, or if you're like us, prop your feeties up and enjoy a beautiful day off.



Could you tell us a bit about yourself, where you grew up, what you studied at school?
I grew up in England till the age of 5 then moved to Adelaide, then Melbourne aged 13. I grew up with 2 other closely aged siblings. Mum did not let us watch much TV and we did not have much money so we had to invent our own fun often role playing, I really appreciate that now. At school I was terrible at maths and science so studied mostly art and literature classes and especially loved woodwork. I then went on to study primary school teaching but was not satisfied and quit to travel the world searching for a passion, I had an inkling for shoes and had enquired in Melbourne but thought this could only be a hobby, surely. After four years of various shoemaking studies and experience, here I am!

Some of Emma's shoes hanging with Phong's (top rack)



You began your career in shoemaking with a short course completed in London. Was this something you planned to do while still in Melbourne, or was it something more spontaneous that happened during your travels?
I had planned to study this in Melbourne but the waitlist was too long I had also planned to go travelling, I found a course in London to get a head start then once returning to Melbourne a place in the course became available, and slowly my shoemaking career began!

Your shoes are extremely well-crafted and beautifully detailed, aspects that have undoubtedly contributed towards establishing your brand, Emma the Shoemaker. What/who has greatly influenced the way you approach shoe design?
I aim to make simple designs that are comfortable, fun and won’t age with time. I aim for well-made shoes with little quirks found hidden in the simple designs.

'The Victoria' wedge

With Emma the Shoemaker almost in its third year now, how else do you hope to develop your practice? Do you have a specific goal in mind that you are working towards?
To keep learning the craft of shoemaking, maybe travelling overseas to gain more knowledge and bring that back here to constantly improve my shoes in design and make.


Sharing a studio with two other shoemakers must create a wonderfully inspirational space, not to mention efficient in terms of sharing equipment! Have you always worked in a shoemaker-exclusive studio? How do you think this arrangement affects the dynamics of your practice?
I worked previously in my garage at home. Initially I loved this, but as time went on I felt limited (with space and ideas) therefore a little uninspired. Working with three other shoemakers has been amazing, we are all share ideas and contacts, offer tips and support each other through the hard times when we feel like throwing it all in.

Do you see shoes more as ‘fashion’ or ‘art’, or both?
Both, as I do everything from design to patterns and then making the whole shoe which involves many crafts, material and colour selecting, sewing, lasting up, sculpting heels and making sure the shoe balances and is appealing to the eye, yet also functional, so I think these aspects lie amongst art and fashion.


'Giddy up' riding style boot

And finally, “If I were a shoe I’d be…
…a lace up boot with a Cuban heel. I love lace ups, nearly all my shoes have laces, I never wear stilettos or particularly like them. This sums up me as I like my shoes to be ready for any kind of day!

Craft Victoria's green crusade



To welcome the new year, CVHQ is going green!

We're starting off with baby steps, and to get things going we've acquired a range of Keep Cups (pictured above) that will help reduce our coffee cup consumption - especially Nella and her 4 coffees a day, whoa!!!! - as well as a Pyrex containers and tupperware for takeaway food.

By 2010, we hope to reduce our electricity bills by 20% which we'll achieve mostly through big things like switching to energy-efficient appliances and little things like turning off the lights when not in use. It's the little things that add up after all! We've also ordered ourselves a Bokashi bucket which is a handy composter for organic waste. Mmm, compost.

So here's to an even greener 2010, we'll keep you posted!

Craft Hatch @ SLV, tomorrow 11am-4pm!


Hey everybody, coming up this Saturday 19 December is the last Craft Hatch for the year and it's our biggest yet! Featuring 28 emerging and established artists generously spread over the State Library of Victoria's Experimedia space, Craft Hatch @ SLV is a bumper Christmas market filled with Melbourne's best and brightest.


Here's the line-up (Are you sitting down? You might want to...)


  • Fine jewellery by Amina McPhee
  • Hand crocheted collars and cuffs by Berri Drum
  • Softies by Betty & Hamish (Kate Brereton)
  • Fine jewellery by Bonfire Folk (Kim Wearne)
  • Illustrations and one-off artworks by Chloe Vallance
  • Illustrated brooches by Cserpent Art (Charlotte Tizzard)
  • Silver and ceramic jewellery by Deirdre Hoban
  • Fine jewellery by Elise Newman
  • Leather accessories by emerge (Emma Greenwood)
  • Bespoke footwear by Emma the Shoemaker
  • Silver/pewter & leather jewellery by Estelle Deve
  • Jewellery by Femi Coppi
  • Super futuristic dichroic glass jewellery by Jasmine Targett
  • Tram-themed cushions and stationery by Mrs Beckinsale (Jennie Barnes)
  • Enamel jewellery by Jill Hermans
  • Laser-cut wooden accessories and homewares by lab ThreeOfive
  • Embroidered neckpieces, brooches and accessories by Mainichi (Dearne Herrenberg)
  • Super cute tote bags, calendars and homewares by Minnt (Angela YJ Shin)
  • Leather accessories, bags and clutches by NancyGirl (Sue Manski)
  • Repurposed vinyl record notebooks and homewares by Record Attempts (Mark Farrell)
  • Vintage lampshades by Retro Print Vintage (Tamara Watts)
  • Fine jewellery made from assorted materials including leather, straws, paper and silver by Rhiannon Smith
  • Accessories, limited edition artworks and your new summer wardrobe by Sneak Design (Anika Cook)
  • Fine silver and perspex jewellery by Tessa Blazey
  • Fine geometric silver jewellery by Vanessa Maxim
  • Jewellery and clothing that'll make you look twice by RMIT fashion graduate Verity Copland
  • Fine silver jewellery that needs no introduction by Victoria Mason
  • Delicate jewellery made from plumbing/teflon tape by White Widow Jewellery (Fresh! 2008 winner Ka Ho Li)

Phew!

What a line up!


We've had a great time organising this market in partnership with our very generous and accomodating host, the State Library of Victoria and we hope you can make it to the market tomorrow to come support the best and freshest makers in Melbourne at the moment.

To view images of the work that'll be part of the market, click here to be taken to the market's thumbnail gallery. And while you're at it, have you RSVP'd to the Facebook event? Click here to RSVP 'YES!' and help us reach a guestlist of 500 attendees... (supportive yes-es are fine by us too - that's when you actually can't attend, but you say yes anyway because the event is so awesome)

We'd also like to extend a big thank you to our buddies at ThreeThousand for including us in their 'Outs' section in this week's edition of the newsletter.




And a big thank you to SLV for the ad that is in this weekend's A2 section of The Age on page 11.


Remember, it's:



Craft Hatch @ SLV
Experimedia, State Library of Victoria


Tomorrow, Sat 19 Dec
11am - 4pm



See you there!

Introducing... Lia Tabrah

This week meet Lia Tabrah, another jeweller who was part of enCOUNTER exhibition SNEAK. Lia's label, 'OTT by Lia T.' is an outrageous display of totally out there jewellery: think big, chunky cocktail rings in Barbie doll pink and fire engine red with larger-than-life sterling silver 'gems'.

We've got our eye on this one as a lady to watch... big, over-the-top things are definitely in store!

Happy Friday everyone, see you at Craft Hatch @ SLV tomorrow for some bumper Christmassy goodness.

Photo from Lia's recent trip to Darwin


Tell us a bit about yourself...
I grew up in country Victoria on a hobby farm and we had sheep, steers. At one stage we had 100 emus. My dad built a tiny shed for me on our property this was my ‘Craft Shop’. I spent lots of time making small things like potpourri hats and picture frames, all for what I called the ‘Craft Grand Opening Sale’ – I think I still have one of the invites. I always had lots of projects on the go. I did lots of sewing projects with my Nana’s assistance, Christmas was a busy time, I would make Christmas decorations, cards and table decorations.

We moved from the farm in to town to an aged care facility, which my parents ran. I was the activities worker. I would run bingo games, and do word finds and quizzes with the elderly people. I would spend my pocket money buying them prizes usually consisting of lollies. I would also glam up some of the ladies with my make-up kit, a bit of lipstick, eye shadow and nail polish! They loved the attention.

I have always been interested in jewellery design, I studied Visual Arts at Swinburne TAFE in 2004, and took an interest in sculpture and installation. My installations always utilised jewellery and body adornment as their primary focus. During this time I had market stalls selling my big multi-strand beaded necklaces using old brightly coloured random shaped glass beads and pearls. They were often asymmetrical and very OTT [over the top]. I really wanted to learn how to work with other materials such as silver and gemstones.

Two works from the Good Ship Glitzern exhibition


Your jewellery label 'OTT by Lia T.' spells out your aesthetic. Have you always worked this way or did you gradually move towards it while at NMIT?
I have always worked OTT style, NMIT taught me the skills and techniques to produce my OTT jewellery. I have always had a strong individual design aesthetic, and I just needed to learn the hand skills.



The aforementioned scrunched tissue ball installation, R.S.I. exhibited at the Majorca Building cabinets

What has been your favourite thing that you've made to date?
I think my favourite and most satisfying is all of my scrunched tissue paper ball works I did for a solo art show in 2008. I started working with scrunched up tissue paper when I studied art in high school, I further developed this during my Visual Arts diploma at Swinburne. I felt as though I had to get the process out of my system by producing new work for an exhibition. I spent about three months over the summer working on the show, I had to scrunch up thousands of tiny balls out of different coloured tissue paper, I did this at social events, on the tram, anywhere possible. Friends would come over and help me, I had people helping me at NMIT during our breaks. I titled the show R.S.I. (which stands for Repetitive Strain Injury, exhibition pictured above) because of the repetitive process. I won’t be scrunching another tissue paper ball for quite a while!


'Victim necklace' from the Chronique Scandaleuse exhibition at Glitzern


Rings from Lia's recent enCOUNTER exhibition, SNEAK


Could you please tell us about who or what inspires you?
I am inspired by art and fashion from the 1960s, I love the op art from this era. The 80’s is another big influence I love the boldness of the 80’s fashions. I love the shapes, colours and patterns. I’ve always had an addiction to animal prints, especially leopard. I have a fascination for the crocodiles in Darwin, anything from crocodile taxidermy to crocodile attacks. And humour, I’m inspired by humour on a daily basis!

What other skills would you like to learn?
I’m a terrible business person. I’m always preoccupied with being inspired by new designs for jewellery, so learning the practical techniques in business would probably benefit me. I’m not a numbers girl.


Photo from Lia's recent trip to Darwin


What would your dream collaboration involve?
I would have to say the ‘Crocodile Mick’ He’s a crocodile hunter from Darwin. I would put on an ‘OTT’ fashion show with help from Sally Spectra from the television show The Bold and the Beautiful.



Constructing 'The Attack' peephole box for the Chronique Scandaleuse exhibition at Glitzern



A photo taken inside one of the peep hole boxes Lia made for the Chronique Scandaleuse exhibition at Glitzern

And finally, what gets you in the mood to make and create?
I get very inspired by other creative people around me. What people are wearing, doing and creating always gets me going! I always become inspired after talking to the inspiring and lovely ladies at Glitzern boutique (on Crossley Street, Melbourne). The two madame directors, Moi Rogers and Caroline Price constantly inspire me with their amazing style and they are always encouraging and supporting.




Sterling silver ring that was part of Lia's graduate exhibition in 2008

High Vis Dandy: being safe never looked this good...


A few weekends ago, Matthew Kneale and his crew of High Vis Dandies spent a few happy hours at CVHQ fashioning avant garde garments from everyday safety gear. It was a gay old time and everyone emerged much better dressed (and safer) than when they started out.

Over the course of a not-so-lazy Saturday afternoon, 5 manly men sewed, cut and measured their very own high vis vests under the watchful eye of Matthew and his two lovely lady companions. Here are some images from the day's events... it looked like it was heaps of fun!


High Vis Dandy will form part of the 2010 Next Wave festival program, so make sure you keep an eye out!

hi there



To view images from a previous High Vis Dandy performances, click here.


Season's greetings from the High Vis Dandy team

Photography by Nella Themelios

Craft Hatch in 2009


Our last Craft Hatch market at the City Library for 2009 took place on Saturday. Thank you to all our lovely stallholders for ending things with a bang, and to the many visitors we had to the space. If you missed out on the market, fret not, for the very last market for 2009 will be taking place at the State Library of Victoria this Saturday from 11am to 4pm.

It's been a great year for Craft Hatch and busy times for market organiser Kim Brockett (hello!) - we turned a year old in November, hosted a special series of markets for the Melbourne Writers Festival, and will be hosting an upcoming Christmas market at the State Library of Victoria, as well as launching the careers of many makers.

With approximately 150 artists and makers involved in Craft Hatch this year, and total traffic hovering around 4,000 visitors, we couldn't be happier with how things have gone this year and we look forward to making 2010 even better. We've got plenty of exciting things lined up when Craft Hatch returns in February - first up we'll be doing a market that'll form part of the Sustainable Living Festival program, and in March Craft Hatch will form part of the L'Oreal Melbourne Fashion Festival program. Exciting stuff indeed!

For more information including registration details and market dates, visit the Craft Hatch website.

To view a visual history of Craft Hatch in 2009, click here.

A big thank you again to everyone for making this such a fun event!
Here's how Saturday went:

Alex Bletsas & Tara Lofhelm

mixtape zine (Justine Telfer)


ellka (Ellen Kocjancic)


Moose & Me (Kim McGeachin)


The Mending Basket (Maureen Kiernan)



Amy Borrell & Bakers Dozen



Poppet



Retro Print Vintage (Tamara Watts)



Orchis Morio (Lisa Engelhardt)


White Widow jewellery (Ka Ho Li)




See you on Saturday at the State Library! (It's the one on the corner of Swanston and Lonsdale Streets, don't worry we won't tell anyone if you didn't know where it was...)

Studio visit/Introducing... Tim Tropp

With our last day of trading almost upon us, we're going to roll out the last of the Shoe Show interviews fast and furious. Today it's Tim Tropp, who shares his studio with fellow Shoe Show exhibitor April Phillips.





Could you tell us a bit about yourself, where you grew up, what you studied at school?
Growing up in the inner eastern suburbs of Melbourne I always had a creative inclination. I would spend hours slaving over my sketchbook; however it wasn’t until my final years of high school that I became interested in fashion. Shortly after completing my VCE I started my own small business creating one-off garments for local boutiques Alice Euphemia and Fat 52. I have since studied fashion and visual arts at RMIT and undertaken an internship in Paris for a German designer Lutz Huller. I have freelanced for various local labels in the capacity of a designer, pattern maker, consultant and machinist, I also have extensive experience in made-to-measure.



You initially completed a degree in Fashion Design and followed it up with a Visual Arts degree. With creating trouser/shoes, you’ve embarked upon a different direction and combined your background in fashion with shoemaking, an area that is quite new for you. What prompted this shift? Was it something or someone that inspired you to do so?
I didn’t finish my degree in fashion or visual arts probably due to my impatient nature and desire to learn through industry and hands-on experience. It may be something I will embark on in the future but for now I am excited about creating a new creative umbrella that embodies both my background in art and fashion. I am interested in developing works that challenge traditional ideas and aesthetics in fashion. I suppose my interest in shoemaking is part of this intrinsic desire to find new possibilities in design. By merging these crafts together it opens the door to an alternative way of consideration, in the way we dress, coordinate and ultimately feel.

Like fellow Shoe Show exhibitor April Phillips, you’ve mentioned that you are very interested in involving a historical element in your artistic process. How is this played out in trouser/shoes?
I am interested in the things that govern/influence our decision making process in dressing. Historically dress codes have always defined people within periods and places. These ‘codes’ can instantly define an individual within a class, community, or system. The rules or limitations of dress codes are of great interest: breaking or altering a dress code is a way of reconstructing garments to create new meanings. This reconstruction process is often a mediation of two alternate contexts or situations. The psychological impact of dressing for an occasion, historical references and the material selection is central to the exploratory process.



With shoemaking as a skill that you’re currently refining, soon you’ll be able to make a bespoke outfit from head to toe! How do you hope to develop your practice and what would you like to achieve in the future?
I have much respect for the art of shoe making and would like to continue to develop my skill base in this medium to further integrate shoe making into my practice.

Sharing your studio with April must have been crucial in your foray into shoemaking. Given that your background lies in fashion, how have the both of you helped each other in terms of technique, design etc.?
I am very grateful to April as she has been quintessential to the realisation of the shoe trouser. She has guided me technically, and creatively we have a musing friendship, without April’s expertise and resources it would not have been possible for me to execute the shoe /trouser.


Do you see shoes more as ‘fashion’ or ‘art’, or both?
I think that all depends on the context in which they are made for; personally I am exploring ideas that belong to both.

“If I were a shoe I’d…
…most probably be smelly.”


Photography by Richard Brockett

Craft Hatch - today at the City Library, 11am-4pm!

A hasty post today, but if you're in the city drop by the City Library from now till 4pm to check out the second last Craft Hatch market for 2009!

Featuring:

Poppet by Jules Musgrove


Handprinted stationery and textiles by Kim McGeachin of Moose & Me


Screenprinted botanical textiles by Orchis Morio (Lisa Engelhardt)

White Widow jewellery made from teflon tape by Fresh! 2008 winner Ka Ho Li


ellka by Ellen Kocjancic


Jewellery by Alexandra Bletsas


Retro Print Vintage lamps by Tamara Watts


Jewellery by Tara Lofhelm


Limited edition print by Beci Orpin, Bakers Dozen

mixtape zine by Justine Telfer


Amy Borrell

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